Publications

2024	‘I touch-I breathe-I move-I voice-I speak: Somatic logos toward social care’, Voz E Cena, Vol. 5, No. 1, 34–51.
2023	‘Tactile renegotiations in actor training: what the pandemic taught us about touch’, Theatre, Dance and Performance Training, Vol. 14, No. 2, 201-215.
2022	‘Haptic Possibilities: Interactive Re-embodiments’, TaPRA 2022 PaR Online Gallery.
2021	‘Off touch-off balance: are we still in touch?’, TaPRA 2021 PaR Online Gallery.
2021	Somatic methodology in actor movement praxis. Skenè: Journal of Theatre and Drama Studies, Volume 12. Also available in Greek.
2021	Community as soma: Reflections on a community-conscious theatre gathering. Journal of Arts and Communities, Volume 12, Numbers 1-2, 1 June 2021, pp. 7-21(15).
2021	‘Haptic possibilities: Practising physical contact as part of online actor training’, Theatre, Dance and Performance Training Blog.
2020	‘Haptic possibilities: Practising physical contact as part of physically-distanced actor training’, Theatre, Dance and Performance Training Blog.
2020	Somatic Voices in Performance Research and Beyond (editor) (2021). Abingdon, Oxon: Routledge.
2020	‘Introduction: somatic voice studies’ in Kapadocha, C. (ed.) (2021) Somatic Voices in Performance Research and Beyond, Abingdon, Oxon, Routledge: 1-11.
2020	‘On Voice Movement Integration (VMI) practice by Patricia Bardi: Awakening resonance in the moving body’ (interview) in Kapadocha, C. (ed.) (2021) Somatic Voices in Performance Research and Beyond, Abingdon, Oxon, Routledge: 51-60.
2020	‘Somatic logos in physiovocal actor training and beyond’ in Kapadocha, C. (ed.) (2021) Somatic Voices in Performance Research and Beyond, Abingdon, Oxon, Routledge: 155-168.
2020	‘Beyond our somatic voices’ in Kapadocha, C. (ed.) (2021) Somatic Voices in Performance Research and Beyond, Abingdon, Oxon, Routledge: 229-242.
2019	‘Somaticity within and beyond arts praxis: Inviting your witnessing’, Theatre, Dance and Performance Training Blog.
2019	‘What can be somatic in arts praxis? – a video article’, Example Project, Practice Research Advisory Group (PRAG) UK Website.
2018	‘Towards witnessed thirdness in actor training and performance’, Theatre, Dance and Performance Training, Vol. 9, No. 2: 203-216.
2017	‘The development of Somatic Acting Process in UK-based actor training’, The Journal of Dance and Somatic Practices, Vol. 9, No. 2: 213-221.
2016	‘Post-conference reflection on disseminating praxical research in actor training’, Theatre, Dance and Performance Training Blog.
2016	Being an actor/becoming a trainer: The embodied logos of intersubjective experience is a somatic acting process, Doctoral Thesis (unpublished).
2016	Book review of Christina Gutekunst and John Gillett’s Voice into Acting: Integrating Voice and the Stanislavski Approach (2014), The Journal of Interdisciplinary Voice Studies, Vol. 1, No. 1: 99-101.
2014	‘Strung: The Story Behind the Postcard’, co-author as performer with Tanja Beer (concept and scenography), and Jacqui Holland (active scenography), Blue Pages: Journal for the Society of British Theatre Designers, No. 3: 26.