|2020||Editor and author for the volume Somatic Voices in Performance Research and Beyond (Routledge Voice Studies series).|
|2019||‘Somaticity within and beyond arts praxis: Inviting your witnessing’, Theatre, Dance and Performance Training Blog|
|2019||‘What can be somatic in arts praxis? – a video article’, Example Project, Practice Research Advisory Group (PRAG) UK Website|
|2018||‘Towards witnessed thirdness in actor training and performance’,
Theatre, Dance and Performance Training Journal, Vol. 9, No. 2: 203-216.
|2017||‘The development of Somatic Acting Process in UK-based actor training’,
The Journal of Dance and Somatic Practices, Vol. 9, No. 2: 213-221.
|2016||‘Post-conference reflection on disseminating praxical research in actor training’, Theatre, Dance and Performance Training Blog|
|2016||Being an actor/becoming a trainer: the embodied logos of intersubjective experience is a somatic acting process, Doctoral Thesis (unpublished)|
|2016||Book review of Christina Gutekunst and John Gillett’s Voice into Acting: Integrating Voice and the Stanislavski Approach (2014),
The Journal of Interdisciplinary Voice Studies, Vol. 1, No. 1: 99-101.
|2014||‘Strung: The Story Behind the Postcard’, co-author as performer with Tanja Beer (concept and scenography), and Jacqui Holland (active scenography),
Blue Pages: Journal for the Society of British Theatre Designers, No. 3: 26.