I currently work as editor and author for a Routledge Voice Studies Series volume on interrelations between voice analysis and somatic methodologies.

2018 ‘Towards witnessed thirdness in actor training and performance’,
Theatre, Dance and Performance Training Journal, Vol. 9, No. 2: 203-216.
2017 ‘The development of Somatic Acting Process in UK-based actor training’,
The Journal of Dance and Somatic Practices, Vol. 9, No. 2: 213-221.
2016 ‘Post-conference reflection on disseminating praxical research in actor training’, Theatre, Dance and Performance Training Blog
2016 Being an actor/becoming a trainer: the embodied logos of intersubjective experience is a somatic acting process, Doctoral Thesis (unpublished)
2016 Book review of Christina Gutekunst and John Gillett’s Voice into Acting: Integrating Voice and the Stanislavski Approach (2014),
The Journal of Interdisciplinary Voice Studies, Vol. 1, No. 1: 99-101.
2014 ‘Strung: The Story Behind the Postcard’, co-author as performer with Tanja Beer (concept and scenography), and Jacqui Holland (active scenography),
Blue Pages: Journal for the Society of British Theatre Designers, No. 3: 26.